THE TRANSATLANTIC MAGAZINE
THE TRANSATLANTIC MAGAZINE
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REVIEWS
Assassins Music and lyrics by Stephen Sondheim Book by John Weidman Menier Chocolate Factory, 53 Southwark Street, London SE1 1RU Until March 7, 2015 Reviewed by Jarlath O'Connell
Sondheim’s darkly delicious musical, from 1990, which recounts the hard luck stories of 9 individuals who attempted and sometimes succeeded to assassinate US Presidents, has in the past been presented as a revue–style sequence of playlets. Here, however, director Jamie Lloyd incorporates all the murderers from the outset as a sort of deranged chorus of extras. They’re under the command of the fairground’s Proprietor (Simon Lipkin), whose face is smudged with Joker make–up and who begins by issuing each a handgun, drawn from the illuminated inside pockets of this long trenchcoat. Lloyd and choreographer Chris Bailey have done wonders in infusing the piece with such theatrical dynamism and in responding to the richness of Sondheim’s score. The music typically encompasses a plethora of genres: folk ballads, Sousa marches, waltzes, gospel, rag and a honeyed ballad which could have been penned by The Carpenters, 'I am unworthy of your love'. That song is sung by the nerdish, John Hinckley (Harry Morrison), who shot Reagan in order to secure the attentions of Jodie Foster, with whom he’d become totally obsessed. Typical of Sondheim, when he gives you sweet, you’d better watch out. Weaving together the totally disparate stories of these nine sad folk must have seemed like utter folly. Little unites the stories and indeed some are quite epic but they persevered and the genius of the piece is that it tells each tale with remarkable brevity, while trying, as much as it can, to help us understand their motives.
Aaron Tveit (imported from Broadway) cuts a dash and sings divinely as the actor John Wilkes Booth who shot Lincoln. Another standout is Andy Nyman as Charles Guiteau who shot Garfield. His personality is a tightened coil of ‘The Power of Positive Thinking’ gone septic. We end of course with the grassy knoll and the Texas Book Depository and here we see a rather gormless Oswald (Jamie Parker) egged on by the voices of the chorus. As Booth puts it: “Murder is a tawdry little crime but when a President gets killed he is ASSASSINATED”. Weidman’s book touches on the dark side of the American Dream and how this is the ultimate statement for these lost souls but the piece never tries to judge or pontificate. It is infused with a wit and in no way is this a grim night out. It has, after all, two top comedians in the cast, who are expert at delivering a killer line. On the creative side Gregory Clarke’s sound design is exemplary. Normally, good sound is when you don’t notice it but here it’s a central element in the production’s success, adding layer upon layer of atmosphere. Again, director Jamie Lloyd confirms he’s at the top of his game. |
